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Comfort (5/5) – The tiny round housings rest inside the ear when the CK1. CK1. 0 can be worn cord- down as well. Either way they are impossible comfortable and simply disappear when donned, but wearing them cord- up allows for deeper insertion. Sound (9. 2/1. 0) – I’ve always done my reviews on a comparative scale, with the perfect score in each category going to the best performer I’d encountered to date. The CK1. 0 has been and still is my SQ benchmark for IEM reviews. The CK1. 0 is as close to a perfectly balanced earphone as I have heard. The low end is smooth, tight, and extended. From the “fire and ice” department, Craig Kelly writes on Facebook The entire rationale for wind turbines is to stop global warming by reducing the. Due to real life issues and severe lack of free time i'm no longer able and willing to take care of the Duelist/Templar/Marauder build lists. It is detailed and well- textured, conveying plenty of information. Impact- wise the bass is medium- low on the grand scale, not much greater in quantity than an amped Ety ER4. S, but more full- bodied. It is also impossibly quick - I sometimes get the feeling that the armatures on the CK1. Midrange detail and clarity are close to the ER4. S but vocals have better air and a dimensional quality to them that the Etys lack. The treble is best described as being “sweet”, but not excessively so. The CK1. 0s definitely sparkle at the high end and roll off very little - Audio- Technica was quite conservative with the specs on the CK1. Hz” specifications I’ve been seeing get slapped on $2. Treble smoothness is top notch – harshness and sibilance are nearly imperceptible even on flawed recordings. Resolution and imaging are both excellent. Soundstaging is above average - though they don’t quite have the lateral width of the RE2. RE0 and Phonaks beat in both depth and width. Transparency is also impressive - the CK1. They add no color to the sound, allowing the properties of the source to shine through. That said, I find them more forgiving of poor quality source material than most other high- end IEMs. Now for the qualifiers: the CK1. There are still many high- end IEMs I have not heard and the CK1. Shure faithful may be underwhelmed. The quantity of the bass will not satisfy a basshead’s uncouth craving – the TF1. They may also not be engaging enough for those who tend to get bored with balanced, neutral sound – like the RE0 but to a lesser degree they can be described as sounding . Lastly, the treble sparkle can quite easily cross the line separating it from brightness for some people. A poor fit can exacerbate the problem. Amping: Although the CK1. Amp. 3, they are not difficult too drive. There are small increases in speed, resolution, and bass slam when they are amped, but I often eschew an amp for the sake of portability when using the CK1. IEM I have no qualms about carrying around without a case. Value (8/1. 0) – Upon release, the CK1. Audio- Technica’s flagship and retailed at or near the $3. MSRP, but sold closer to $2. With my personal affinity for its sound I’m tempted to say that it is still some of the best money one could spend. However, with budget and mid- range earphones constantly improving, it is becoming more and more difficult to make such statements. The RE0 still costs about 1/4 as much as the CK1. Is the RE0 1/4 of the earphone? That said and this being head- fi, diminishing returns are an expectation. With that in mind, plus the fact that the CK1. IEMs around, I find the asking price quite justified. Pros: Well- built, extremely comfortable, no microphonics, great clarity, detail, and imagine. Cons: Stock tips are underwhelming, flat bass won't please everyone. For a more in- depth review and comparisons to the Monster Turbine Pro Gold and Panasonic HJE9. C2) Ortofon e- Q7. Reviewed Apr 2. 01. Details: First IEM from Ortofon utilizing a new type of transducer. Current Price: $3. MSRP: ~$3. 20)Specs: Driver: Moving Armature . Cabling is in two parts (very similar to the original Lenntek Sonix), with a plastic sheath above the y- split and woven nylon below. Unfortunately, the large plastic strain relief on the 3. Also, there is no cord cinch and a small bump on the left- side strain relief takes the place of L/R markings. Isolation (3. 5/5) – The extremely short nozzle limits the insertion depth of the Ortofons by design. The IEMs are fully sealed, however, and isolation is still good. Microphonics (3. 5/5) – Though minimal in the nylon- sheathed part of the cable, microphonics are present and bothersome in the plastic part above the y- split, where it counts. Wearing them over- the- ear solves the problem but isn’t as easy as with other IEMs due to the long housings. Comfort (3. 5/5) – The short nozzle of the Ortofons means that the housings are nearly flush with the ear canal when wearing all but the longest tips. For those with smaller ears this may be uncomfortable. In addition, the length and weight tend to torque the housings when wearing them cord- down and moving about. A set of cable guides would’ve been nice to make the Ortofons more over- the- ear- friendly. Sound (9. 1/1. 0) – The sound signature of the e- Q7 takes on a peculiar mix of traits commonly ascribed to balanced armature and dynamic driver earphones. If blindfolded and given the e- Q7 for the first time, I would have attributed the sound to a dynamic driver, albeit a very clean and precise one. The overall tone of the IEM is just a tad on the warm side. Bass extension is impressive - not quite as deep as the dynamic- driver MTPG and Atrio M8s, but better than any armature- based earphone I’ve heard. Texturing across the range, but especially at the low end, is excellent, right up there with the best of the best. The bass is punchier than it is powerful but still boasts plenty of impact and great speed. The midrange is rich and full and acts as a unifying element, making the entire signature extremely coherent and musical. Similar to the Soundmagic PL5. Q7 despite not having any particular emphasis. The mids can sound a bit dry, almost grainy at times, and there is a tiny spike towards the upper midrange that can accentuate harshness already present in certain recordings, but I’ve really only noticed it a few times in the hundreds of tracks I’ve listened to using the e- Q7. The treble, on the other hand, is very smooth and inoffensive. It is devoid of sibilance and harshness but also doesn’t feel as endless and effortless as, for example, the ATH- CK1. RE0. Despite this, I wouldn’t call the e- Q7 laid- back or relaxed- sounding. They are highly resolving and detailed, resulting in an involving, attention- grabbing sound. Overall balance is excellent, with all signs pointing to the midrange but yet no lack of emphasis in the bass and treble. Soundstage width is impressive, falling right behind the RE2. Depth is decent, but not class- leading. Instrumental separation, positioning, and imaging, however, are all excellent. I’ve also said before that being enjoyable at low volumes is one of the hallmarks of a great earphone for me and the e- Q7 handles the lowest listening volumes quite well. A note on amping – if planning to pair them with an amp (not a necessity in my view), make sure that your amp is at least neutral. The e- Q7 does not play well with warm amps such as my i. Basso T4; it actually pairs better with my new Rocoon RC- 1, which is rather neutral, and the mini. Value (8/1. 0) – As one the most expensive earphones reviewed in this thread to date, it is very difficult to put a value on the e- Q7. As a total package, it does not feel like a $3. The cable is almost identical to the one found on the $4. Lenntek Sonix 3, several throw- ins are missing from the accessory pack, and the microphonics leave much to be desired. The short nozzle and sizeable housings may also cause fit issues for those with small ear canals. But all of these usability issues can be remedied or mitigated by throwing a few more bucks at the earphones for a set of Phonak cable guides, nicer tips, and a shirt clip. It is much harder to remedy shoddy sound quality but, luckily, that is not an affliction the e- Q7 suffers from. With tight bass, full mids, and smooth (albeit slightly rolled- off) treble the e- Q7 possesses one of the most coherent sound signatures in the land of portable audio. As with all high- end IEMs these are bound to have both strong fans and convinced critics in due time. Though the signature of the e- Q7 is far from the analytical and neutral type of sound I prefer, I easily subscribe to the former category. Pros: Beautiful design and packaging, very rich, detailed, and balanced sound. Cons: No true L/R markings, no cord cinch, fit issues likely for those with small ears. Special thanks to rawrster for generously offering to lend me the e- Q7 and allowing me to put it through the full testing regimen.(1. C3) Klipsch Custom 3. Reviewed May 2. 01. Details: Dual- armature flagship of Klipsch’s Custom line, recently discontinued and plummeting rapidly in street price. Current Price: N/A (discontinued; price as tested $2. MSRP: $3. 99. 9. 9)Specs: Driver: Dual BA . The memory wire acts as a strain relief and the y- split and L- plug are both very impressive. The nylon cabling, however, is atrocious. It kinks and tangles endlessly, ruining an otherwise very competent build. 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In 1986, producers Lawrence Gordon and Joel Silver acquired film rights to Watchmen for 20th Century Fox. After author Alan Moore declined to write a screenplay based. CP @2011-11-18 10:37:50 : Het gaat niet om constructief de beste oplossing zoeken voor inwoners die wat willen realiseren. Het is op Wieringen nog steeds, of je hebt. Cold War between the United States and the Soviet Union, as a group of mostly retired American superheroes investigates the murder of one of their own before uncovering an elaborate and deadly conspiracy, while their moral limitations are challenged by the complex nature of the circumstances. From October 1. 98. October 2. 00. 5, a live- action film adaptation became stranded in development hell: Producer Lawrence Gordon began developing the project at 2. Century Fox and Warner Bros., parent company of Watchmen publisher DC Comics, with producer Joel Silver and director Terry Gilliam, the latter eventually deeming the complex comic . During the 2. 00. Gordon and Lloyd Levin collaborated with Universal Studios and Paramount Pictures to produce a script by David Hayter; Darren Aronofsky and Paul Greengrass were also attached to the project before it was canceled over budget disputes; and, in October 2. Warner Bros., where Snyder was hired to direct . Fox sued Warner Bros for copyright violation arising from Gordon's failure to pay a buy- out in 1. Fox and Warner Bros settled this before the film's release with Fox receiving a portion of the gross. Principal photography began in Vancouver, September 2. As with his previous film 3. Snyder closely modelled his storyboards on the comic, but chose not to shoot all of Watchmen using green screens and opted for real sets instead. Following its world premiere at Odeon Leicester Square on February 2. The film's reception has been polarized between positive and negative reactions. A DVD based on elements of the Watchmen universe was released, including an animated adaptation of the comic Tales of the Black Freighter within the story, starring Gerard Butler, and the fictional biography. A director's cut with 2. July 2. 00. 9. Their existence has dramatically affected world events: Doctor Manhattan's powers have helped the United States win the Vietnam War, and given the West a strategic advantage over the Soviet Union, which by 1. Cold War into a nuclear war. Growing anti- vigilante sentiment leads to masked crime- fighters being outlawed. While many of the heroes retire, Dr Manhattan and The Comedian operate as government- sanctioned agents, and Rorschach continues to operate outside the law. While investigating the murder of government agent Edward Blake, Rorschach discovers that Blake was the Comedian, and theorizes that someone may be attempting to eliminate former costumed heroes. He warns his retired comrades. Dr Manhattan ignores Rorschach, and Dreiberg is skeptical, but relays this information to vigilante- turned- billionaire Adrian Veidt (Ozymandias), who also dismisses it. Following a backlash, Dr Manhattan exiles himself to Mars, giving the Soviet Union the confidence to invade Afghanistan. Rorschach's theory appears to be justified when Veidt narrowly avoids an assassination attempt, and Rorschach finds himself framed for the murder of a former villain named Moloch. When Rorschach is arrested, his identity is revealed to be Walter Kovacs, and he is sent to jail. Jupiter goes to stay with Dreiberg after breaking up with Manhattan. The two become lovers and decide to come out of retirement. After helping Rorschach break out of prison, Jupiter is confronted by Manhattan, who transports her to Mars. As he probes her memories, he discovers that she is Blake's daughter, and realizes the miracle of her life, created in spite of her parents' turbulent relationship. He then returns to Earth with her. Investigating the conspiracy, Rorschach and Dreiberg discover that Veidt is behind everything. Rorschach records his suspicions in his journal, which he drops off at the publication office of the New Frontiersman, a right- wing tabloid. Rorschach and Dreiberg confront Veidt at his Antarctic retreat. Veidt admits to being responsible for Blake's murder, Manhattan's exile, Rorschach's framing, and his own assassination attempt, which he staged to divert suspicion. He explains that his plan is to unify the United States and the Soviet Union by destroying the world's main cities with exploding energy reactors infused with energy from Manhattan. Rorschach and Dreiberg attempt to stop him, but Veidt subdues them both and reveals that his plan has already been set into motion: the reactors have been detonated, and the energy signatures are recognized as Manhattan's. Jupiter and Manhattan arrive in a destroyed New York City and determine that Veidt is responsible. They teleport to his base, causing him to retreat and attempt to kill Manhattan. Unsuccessful, he shows them a televised news report in which Nixon states that the United States and Soviet Union have allied against their new . Although his allies realize that revealing the truth would only disrupt this new peace, Rorschach refuses to compromise, and attempts to return to America to expose Veidt. Manhattan intervenes, and Rorschach demands that Manhattan kill him to keep him from revealing the truth. Manhattan complies. Manhattan shares a final kiss with Jupiter before departing permanently to another galaxy, while an enraged Dreiberg attacks Veidt, who makes no effort to defend himself. Nevertheless, he defends his actions, claiming that for world peace to be possible, there had to be sacrifice. Dreiberg rejects his logic declaring that Veidt has deformed and mutilated humanity. Dreiberg and Jupiter return to New York with plans to continue fighting crime. Later, an editor of the New Frontiersman tells a young employee that, as the world is at peace, there is nothing to report on. The editor gives the employee permission to print the contents of a collection of crank mailings, among which is Rorschach's journal. Cast and characters. Manhattan, Ozymandias, Nite Owl II, and Rorschach. Production for Watchmen began casting in July 2. Haldeman, Ted Koppel, John Mc. Laughlin, Annie Leibovitz, John Lennon and Yoko Ono, Fidel Castro, Albert Einstein, Norman Rockwell, John F. Kennedy and Jackie Kennedy, Andy Warhol, Truman Capote, Elvis Presley, Mao Zedong, Larry King, David Bowie, Mick Jagger, Lee Iacocca, and the Village People. He takes his name from the Rorschach test, as the shifting black- and- white patterns on his mask resemble its inkblots. Crudup plays Osterman in flashbacks as a human and is replaced for his post- accident scenes with a motion- capture CG version of himself. During filming, Crudup acted opposite his co- stars, wearing a white suit covered in blue LEDs, so he would give off an otherworldly glow in real life, just as the computer- generated Manhattan does in the movie. His body was modeled on that of fitness model and actor Greg Plitt. The crew then 3. D- digitized Crudup's head and . The actress worked out and trained to fight for her portrayal of the crime fighter. When reading the comic for the part, Morgan stopped when he saw his character was killed off three pages in. When telling his agent he did not want the part, he was told to continue reading it and find out how important his character was. And Jeffrey came in and was grumpy and cool and grizzled, and I was, like, 'OK, Jeffrey is perfect!'. At first Snyder wanted Jude Law (a big fan of the character) for the part, but said that Goode was . We were having a hard time casting . Gugino's character ages from 2. Gugino described her character's superhero outfit as . Brady was a bank- sponsored member of The Minutemen who was created for publicity purposes. He dies during a bank robbery in 1. Niall Matter as Byron Lewis / Mothman: A former member of the now- defunct superhero team, The Minutemen. Lewis had a privileged upbringing and sought to help the less fortunate and fight oppression and corruption as a crime- fighter. To this end Lewis created a costume with special wings that helped him glide. His mental stability ultimately deteriorated after he was called before HUAC, leading to him being forcibly brought to a mental asylum. Apollonia Vanova as Ursula Zandt / The Silhouette: A deceased member of the now- defunct superhero team, The Minutemen. A gun- toting vigilante, motivated by the deaths of her parents and sister at the hands of the Nazis in their native Austria. Zandt is killed along with her lesbian lover in what is implied to be a hate- crime. Glenn Ennis as Jacob M. A former Marine Lieutenant. He was one of the more active members of the Minutemen, having organized its formation. He died in a car accident in 1. Stephen Mc. Hattie as Hollis Mason / Nite Owl: A retired former member of the now- defunct superhero team The Minutemen. Mason now works in an auto shop. Clint Carleton as young Hollis Mason / Nite Owl: Carleton appears in The Minutemen flashback scenes only. Other characters. Matt Frewer as Edgar Jacobi / Moloch: A former supervillain. Moloch was jailed for a time during the 1. He is dying of cancer which he received from Adrian Veidt. Moloch was later murdered by Adrian who frames Rorschach. Mike Carpenter as young Edgar Jacobi / Moloch. Production. Hamm took the liberty of re- writing Watchmen's complicated ending into a . Due to lack of funding. The project did not hold together at Revolution Studios and subsequently fell apart. Eventually, they attached Darren Aronofsky to direct Hayter's script. Producers Gordon and Levin remained attached, collaborating with Aronofsky's producing partner, Eric Watson. Impressed with Zack Snyder's work on 3. Warner Bros. Similar to his approach to 3. Snyder used the comic book as a storyboard. Sound stages were used for apartments and offices. The soundtrack features three songs written by Bob Dylan. It includes some songs mentioned in the comic, such as Simon and Garfunkel's . Music by Philip Glass from Koyaanisqatsi plays when Dr. Manhattan is looking back on his life when he arrives on Mars. Filme noi 2. 01. 6 - Cine. Abbiamo provato per voi Premium Online, servizio offerto da Mediaset Premium con il meglio del cinema e delle serie tv in streaming e on demand.
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