Three Colors: Blue (soundtrack) - Wikipedia. Three Colors: Blue (Bleu: Bande Originale Du Film) is the soundtrack album to the award- winning film Three Colors: Blue, with music composed by Zbigniew Preisner. The music is performed by the Sinfonia Varsovia (Beata Rybotycka, El. 354 Three Colors: Blue subtitles in 35 languages English (68) Turkish (37) Spanish (37) Romanian (22) Polish (21) Dutch (17) Portuguese (16). Rate Three Colors Blue Three Colours Blue 1993 DVDRip 25 FPS-ELL Sub as good 0. Film @ The Digital Fix. After the success of several of his Polish films at Cannes (Blind Chance, A Short Film About Killing), Krzysztof Kieslowski was wooed by a number of French producers. By the time Marin Karmitz signed Kieslowski up to make the Three Colours Trilogy, he had already established a team and a method in the French/Polish co- production, the haunting and lyrical La Double Vie de V. The director took the French revolutionary ideals of libert. While the concept may sound intimidating, Kieslowski chose to examine these ideals through small- scale individual situations, thereby illuminating and commenting on universal themes in a fashion typical of the director of the Dekalog series. Faced with the loss of her husband, a famous composer, and her daughter in a car crash, Julie (Juliette Binoche) tries to deal with her loss by leaving everything and everyone in her life behind her and disappears. Seeking absolute libert. The character played by Binoche is a complex one, trying to contain any demonstration of emotion or feeling and avoiding emotional involvement with people she meets, but she is unable to escape herself or her creativity, which breaks through her froideur in bursts of sorrowful music. She only achieves her personal freedom when she stops resisting who she is and lets her life begin again. Also working on that film were editor Jacques Witta and director of photography Slawomir Idziak (who also photographed A Short Film About Killing) and the use of filters and beautiful composition give this film a visual presence and character that is appropriate for this film and sets it apart from the others in the trilogy. The film is however more closely related to Kieslowski's 1. No End, where Ulla (Grazyna Szapolowski), also tries to come to terms with her sexuality and expression of her own freedom after the death of her lawyer husband in Poland under Martial Law. That film also carries much of the mood and darkness re- created in Blue, although tellingly, the director's outlook is more optimistic here than in his Polish film. Watching it again after a number of years, I was surprised that it was a much better film than I remembered. The overall impression that remained with me was that it was a cold, bleak and rather downbeat film – an impression enforced by the lugubrious soundtrack that lingers in the mind, but Blue actually ends on a very optimistic and hopeful, if rather reflective note. There is a lot to absorb in Blue and its style by necessity alienates the viewer in many ways, but it’s a film of great depth and meaning that stands as one of the most accomplished films made by Kieslowski. Blue is presented in 1. There are practically no marks on the print whatsoever, colours are faithfully represented and there is only a little grain visible at times. The menus are the standard MK2 menus rather than standard Artificial Eye menus, and are clear and functional and accompanied by the beautiful music from the film. The remastered soundtrack remains faithful to the original stereo soundtrack, using the surrounds mainly for the musical score which punctuates scenes at intervals throughout the film to great effect. These are presented non- anamorphically at 1. This is a particularly welcome extra as we tend only to hear snatches of the soundtrack throughout the film. The interviews are divided into chapters, which I found useful, although a continuous play option would have been nice. The Binoche and Witta interviews also double as a mini commentary on key scenes from the film. Curiously, I noticed a better picture quality on the Binoche commentary, clearly showing less grain than the main feature. Three Colours: Blue (French: Trois couleurs : Bleu) is a 1993 French drama film written, produced, and directed by the acclaimed Polish director Krzysztof Kie. Blue is the first of three films that comprise The Three. With an in- depth analysis of one simple scene of a sugar cube soaking up coffee, Kieslowski brilliantly manages to illuminate the whole film. This is absolutely superb. The knowledge of his craft and the ability to convey his ideas as a director are clearly evident in this feature. It is the work of a true and undisputed master of the cinema.
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